I’d say that J.J. Abrams has never had two shows on during the same season, except that I think Six Degrees may have overlapped a bit with Alias. Maybe. I don’t know, as I only watched the pilot of Six Degrees.
Anyway, my point (and yes, I have one) is that I am really going to enjoy watching LOST and FRINGE during the same season. Both utilize mesmerizing — albeit slightly sinister — mythologies that make the viewer actually pay attention on a higher level than any other show I’ve watched. Both feature stellar ensemble casts. Both offer extremely satisfying — and amazing — aha! moments that make you just sit back in awe and wonder what it must be like to be J.J. and his team of writers/showrunners/producers/etc.
I still say that I prefer Fringe while conceding that Lost is the better technical show. It goes beyond just the fact that Fringe is slightly easier to watch (although you still have to pay close attention and I wouldn’t recommend it to casual week-in and week-out viewers). I think I just prefer the mythology. And the characters. And maybe even that I miss The X-Files. You know, pre-movie. When it was good.
When a show has had such a remarkable freshman season, speculation tends to be that the same quality cannot be sustained. That may ring true for some shows, but in my opinion, it definitely does not apply to Fringe. In fact, Fringe’s second season, I will venture to proclaim, was better than its first. Don’t get me wrong – I absolutely loved the first season. But it did move rather slowly at first. This second season started with a bang — an actual one, if you want to count the windshield shattering as Olivia flew through it — and hasn’t let up one bit.
Thursday marked its 14th episode this season, called “Jacksonville.” The title refers to the top-secret former military base that William Bell and Walter Bishop obtained and converted into a laboratory and facility to run tests on children. One of these children was Olivia Dunham.
With the potential cataclysmic induction of two realities into one space (as foretold by William Bell himself to Olivia when she visited Over There during the first season finale) all but on their doorstep, Walter, Peter, and Olivia have to race to find answers. Namely, they have to figure out how to get Olivia to tap into the abilities Walter and Bell instilled in her as a child.
What a tremendous winter finale. So much happened. I know the dude from EW who reviews the show (Damian Holbrook, I think?) will not be happy about the step forward the Peter-Olivia relationship took, but I think it fit well with that episode’s trajectory. They have had a unique bond from about a half-dozen episodes into the series. They understand each other. Peter has always been able to alternately calm Olivia down (see: episode where her mind was melding with a serial killer’s via her dreams as but one example) and even trigger her abilities (see: episode with the light box; the Glimmer).
As soon as she was able to identify the Glimmer — which indicates objects and/or people from Over There — I knew she’d be the one to figure out that Peter is really Over There Peter, and that Walter kidnapped him from his world after Over Here Peter (this is going to be confusing) died as a child.
That final interaction — Peter clueless and happy because he and Olivia are finally going to be able to hang out without the pressure of a case looming over them; horror dawning on Olivia’s face as she realizes what she’s seeing; infinite sadness on Walter’s face as he realizes that someone has finally uncovered his secret — unfolded perfectly. It was kind of heartbreaking.
The April 1 back-from-hiatus episode is simply titled “Peter.”
I can’t wait.














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